Thursday, February 28, 2013

Baraarugga iyo Cilmiga Jirka, Fiisiyoo'olojiyada.

1- Qofka markuu neefta isku celiyo, si waafaqsan siyaabaha aan dhowaan gadaal ka soo sheegi doono, kuna xardhan buugga hoos ku lifaaqan ee ku quran afka Ingiriisiga, ama xitaa haddii qofka uu neefta isku celiyo, waxogaa, asagoo marka uu rabo inuu neefsado, ama ha qaato ama ha sii daayee, sameeya, laakiin waxoogaa isku celiya intuu awoodo, wuxuu arkaayaa inuu istaagaayo waxa maskaxdiisa ka dhex socda, oo waran ah ama fikir. Qofka intay neefta istaagsantahay, waa baraarugaayaa, ama waa digtoonaanaayaa. Macalin Sakiida wuxuu leeyahay, oo qoray buugga hoos ku quran,  digtoonaanta ama baraarugga wuxuu ka dhashaa culays fuulaaya caloosha hoose, meel 2-3 suul ka hooseeysa xudunta. Adigana haddaad rabtid waa tijaabin kartaa. Madaxaaga mararka qaarkood codka ka yeeraaya waa ku aamusin kartaa. Laakiin xukunkaan aad xukumaysid maskaxda waa mid ku eg inta ay neefta cishoontahay. Iska ilaali adoon raacin tilmaamaha aan soo sheegi doono, neef isku celiyow ha bag dhabin, haddii kale waxa laga yaabaa inay dhibaato ka soo gaarto. Walow haddaad akhrisid waxaan soo sheegnay, marka neefta aad rabtid daysid ama qaadatid, si fiican u fariisatid oo waafaqsan sida la soo magacdhabay, aad ka macaashi kartid neef isku celiyowga. Bacdi firkadaan waxay sal u tahay fadhi yoolkiisa yahay maskaxda in la xukumo, oon amin farobadan oo soo socota ka warami doono.

Buuggaan aan ku dul fakirayno waxaa qoray Katsuki Sekida
waxaan la dhahaa Tabobarka Sen: qaab iyo falsafo. Waa buug murti badan ay ka buuxdo oon waafajiyay Diinta Islaamka.
 

Qaybta Lixaad ee Muraaqabada

Siyaabo kale oo la fariisan karo waa inaad cagta midig saartid cajaraha ama bowdyada bidix, cagta bidixna cajaraha ama bowdyada midig saartid, ama kala hormarisid.

Horizon of Breathing, Reflections on Key Meditaiton Text


Sometimes, we are not aware that we are breathing, we just breathe. This form of breathing is automatic.  About 500 milliliters of air comes in and out without our awareness and it is known as tidal volume.  When these 500 milliliters of air is out, about 2300 milliliters of air still remains in the lungs and when it is so, the author refers to it the horizon of breathing, Sekida, 59.

An additional 1100 milliliters of air can be forced out from the lungs, and it will be clear given what I have stated before this additional air refers to the expiratory reserve volume.

The author refers to horizon of breathing again, but since we are not aware of it, when air is in or is out, that is the tidal volume, and how can we use it as reference point, and say above or below the horizon of breathing?  for a reference ought to be, isn’t?, sort of things that we know, or aware of it, ?


Reference
Katsuki Sekida, Zen Training: Methods and Philosophy
get a copy from here to benifit us and benifit the author and the editor:

Wednesday, February 27, 2013

Qaybta Shanaad ee Isilaalinta

1-Markaan ku daalo qaabka fardo fuulka, waxaan u fariistaa murabac la modiifikaareeyay. Lugta fiideeda hore ku dhaji lawyaha, ama inta u dhaxaysa jilibka iyo ciribta, lugta kalena sidaas. Fadhiga intiisa kale wuxuu la mid yahay fadhigii la soo sheegay.

Reflections on Breathing in Meditation

1- the author says " we can exhale as much air as possible[ this is about 1100 milliliter of air, and it is known as expiratory reserve volume] and then remain without breathing for a considerable period." Sekida, 53.

Elsewhere in the same chapter the author says this " in recovering expiratory reserve volume, a rather quick inspiration is natural and desirable." Sekida, 58. Failing to do so, in part, " will lead to a shallow and uneasy mental condition." Sekida, 58.

The statements appear to be contradicting.

I probably have refused to inspire when doing so was desirable and natural thing to do, leading perhaps to shallow and uneasy mental condition. I also probably refused to expire when doing so was desirable thing to do, leading to the condition stated above.

I resolved this problem by inhaling or exhaling air when there is an urgent need for it, yet not exhaling or inhaling too much, since breathing method suggested requires slow expiration to sustain tension in the lower abdomen or tanden.

Reference
Katsuki Sekida, Zen Training: Methods and Philosophy
get a copy from here: http://rcm.amazon.com/e/cm?lt1=_blank&bc1=000000&IS2=1&bg1=FFFFFF&fc1=000000&lc1=0000FF&t=httpislamicbu-20&o=1&p=8&l=as4&
 

Tuesday, February 26, 2013

Part 6 of Reflections on Key Meditation Text

As I stated earlier the greatest thesis that I have learned from this chapter on physiology of attention is that one is able to control what he thinks about, and to some extent what he does, when one places tension in the lower abdomen or tanden. One way to do this is to stop breathing or to still the body, no movement. Other ways have also been suggested in the book to produce tension in the tanden, such as breathing method and so on.

To awake or pay attention I generally place tension in the tanden by contracting the abdominal muscles, as recommend by the author and shall be discussed about at length in subsequent chapters, but the attention that comes is persists only as far I am contracting the abdominal muscles. So, I have to contract my belly muscles again and again to maintain continuous attention that I need to get work done. When I don't, I am easily distracted and find myself in one preoccupation after another.

I also noticed these moments where the breath is stopped is essential for entering samadhi or fana. It is as if you need a number of moments to enter samadhi or fana. My thinking is that after a number of moments of no breathing, these moments gain impetus necessary to establish themselves as prevailing state.


This is the time when I am able to do my best work, as I noted earlier. The benefits that accrue to me as a result of engaging one minute placement of tension in the tanden, employing suggested methods, is infinite, metaphorically speaking. This is when I feel most confident in my abilities to succeed in whatever calling I choose.

Friday, February 22, 2013

Reflections on Key Meditation Text Part 5

Let us assume the point of meditation is to have no thoughts or feelings or their attendant pressures. One, therefore, becomes empty of thoughts and pressures, yet awake but unaware of what is up.

If one is unaware, then one is unconscious. If so, one's consciousness is not present at that moment. Another way to say this is to say reflecting consciousness or awareness is absent, even though it may come and go.


One becomes aware of this unaware state when one reflects on it, for the reflecting awareness may become aware of what is up once it shows up.

In some cases, I noted, the reflecting consciousness does not come back after meditation ends so that people tell me something but Idon't process that information so that I lose the opportunity to act upon that information.

I remember reading from somewhere that reflection on information or phenomena in general, this is what is meant by perception, serves the purpose of guiding action. Absence of reflection, that is mere sensation of phenomena without processing it, according to this view, inaction prevails. This implies samadhi is restful time, because there less urges to act, this is perhaps what is meant by absence of causation in samadhi, in addition to absence of awareness of space and time.

A good example of this is a dream i had a while ago. I was with someone,whom I had, in retrospect, had two contradicting views in relation to her, so I decided to shout but then I shouted like a goat or something.


It occurred to me that my company will run after me and catch me. I was still unaware but then I made some efforts and then I was out of it and awake. I, immediately, slept in the way that I was sleeping and and then reflected on it. When you reflect on fresh experience you learn a lot from it.

I did recall of being in something bigger and deeper ,like being in big egg shell that is erected vertically so that it has depth. I also remember managing to get out and becoming awake.


I also remember at some point of being aware that I was inside that depth and I was confined to small part of it, shaped much like human fetus in a womb, albeit facing downward.

I recall seeing known person and unknown persons, some going about their business and others were watching me.

Why would someone enter samadhi or reflect on dreams? The simple answer is I just do it because it is sort of things that I like to do.Post-reflection or rationalization answer is I desire to know about the nature of my existence and the mysteries of life and so on and so forth. Meditation is promising way to learn more of these.

Having reflected on why samadhi or dreams or for that matter any of such strange worlds, after watching movies, I noted, it is substance. For instance, if an actor is acting in ways that has reproduced the strange world after reflection, thereby completing the two wheels of cognition, then such an actor or action is sort of things that people want to watch on account of its appeal.

If, however, the action is devoid of other world, then it is pretentious or so I maintain, it lacks substance and thus its unattractiveness.


The same applies also to wide range of phenomena, if not whole phenomena.


Psychologists like Freud say the unconscious determines behavior. One therefore becomes what determines one's behavior. You have now an opportunity to change if there are something you would like to change.


I noted that I am able to self-control myself as far as what my thoughts are concerned, or what goes in my head, when I stop breathing and when I just finished successful meditation. This capacity decreases gradually until I can no longer self-control myself effectively, because I find myself, again and again, upon reflection, in on preoccupation after another. This is a fundamental truth that I gleaned from this chapter. It led me to meditate, before I start work, until I am able to control my thoughts and then use my reflective awareness to reflect on chosen data, be it from a dream or from experience. When I reflect on substantial material such as dream or wakeful experience, I am able, generally speaking, to gain knowledge that will be useful in guiding action in view of attaining desirable ends for extended period of time.

I thus have self-interest in knowing how I can maintain continuous attention to get work done, for instance.

Attention can be maintained, the author propounds, as long as tension can be maintained in the lower abdomen.

The essential idea of this chapter is tension in the lower abdomen generates attention and power to get work done. This I think comes from the toned or strengthened muscles. Muscles are toned by the brain as a result of that tension in the tendon sending impulses to the brain, especially to a center called wakefulness. Stopping breathing is one way to place tension in the tanden. Other ways will be discussed soon that will place tension In the lower abdomen.

In this scenario one finds himself or herself in situations where one is ble to pay attention and work.


One can also imagine the possibility of stress being placed not on tanden but say on somewhere on the upper part of the body. If so, the more the tension is sustained, the more one sleeps or enters sleep like state, where one is not awake or attentive as a result one losses self-control, different thoughts occupy him one after another. He may wake up now and then but he is not attentive.


I noted also the opposite scenario: if one’s attention is dispersed and no tension in placed in the tanden, then one loses capacity to labor and starts to feel tired.

The main question of this reflection is to mention what I have learned from this chapter, the chapter on physiology of attention that has allowed me to meditate well.

Why would anyone pay attention? You pay attention to save yourself, if possible, from danger, to use your time and resources more effectively. I also noted when I pay attention much of the day by tensing the lower abdomen, my desires for sweet stuff drops, as if attention is highest sweet. That suffices for now.


Long time ago, before I was exposed to this book, I noted, that stillness, not moving at all, while on the bed, allowed me to stop thoughts and thus enter a state of mind where occasional thoughts that bob up or story telling thoughts don't arise. What is going on then ? nothing save a sound that is very much like the sound of deep cave in the middle of no where at night, around 3:00 am in the morning. The sound appears to be uniform, no matter where I am, space wise, being In different lands, or time-wise, now or five years ago, it remains that same. Sometimes, the intensity changes, and becomes very immediate, as if small particles are bounding a surface. It occurs to me this is the edge of the universe and it strikes as if this whole thing is lifeless owing to the absence of variation. There is general uniformity prevailing. This is perhaps what is meant by transcendence of duality or absence of differentiation, unity.

Qaybtii Afaraad ee Muraaqabada

1- Xiriir aa ka dhaxeeya soo jeedka iyo cadaadiska saaran caloosha hoose. Cadaadiskaan wuxuu xasiliyaa qofka. Meesha kan saaran jirka qaybtiisa sare u dhaliyo xasil la'aan iyo maahsanaan. Meesha culayska caloosha hoose saaran uu joojiyo fikirka, kala buriyana cadaadisyada jira , culayska jirka qaybtiisa sare saaran wuxuu afuufaa fikir badan, wuxuuna badiyaa cadaadisyada jira. Marka cadaadis la'aan ma ahaanaysid mararka qaarkood, maad marka cadaadiska caloosha hoose haysid?

2- Marka horay labo qaab aan soo sheegnay, mid wuxuu ahaa in diiradda la saaro meel waxoogaa ka hoosaysa xudunta, ilaa 2-3 suul. Meeshaas iska dag. Waxaa la dhahaa waa guriga ruuxda. Midna waa inaad u fariisatid si calooshaada soo taagaysa. Tan waxaan dhahnay waxay ka dhalataa in dhexda horay loo soo riixo ka dib marka simaha waxoogaa yar kor loo jeediyo.

3- Waxaa laga yaabaa in la dhaho mala un baraarugsanaanaa?. Soo jeed kaliya miyaa. Soo jeedka waa asalka qofka intuu hurdin, waa mid meesha ku jirta abadi in loo digtoonaado haddii xuriyo la rabo. Soo jeed marka intaad awoodid.

4- Waxaa kaloo caloosha hoose, oon ula jeedo, meel ka hoosaysa 2-3 suul xudunta culays lagu saari karaa neefta oo la joojiyo, marka loo fariisto mid ka mid ah siyaabaha aan soo magacdhownay.

5- Waxaa kaloo caloosha hoose cadaadis lagu saari karaa Isha saxar yar lagu qabto bacdina aan laga qaadin.

Wednesday, February 20, 2013

Qaybtii Saddexaad ee Muraaqabada ama Ishorjoogidda

13- Feer duubo. Afarta lafo oo kuukuusan oo ku yaala meesha ay ku dhamaadaan afarta faro uu ku jirin suulka, saar cajaraha ama bowdyaha. Bacdina howada iskaga bixi si qoto dheer. Meeshay garbaha fariistaan, meeshaas waaye meesha garbaha ay tahay inay dagaan.

14- Madaxa waxoogaa yar huray u soo jaleeci, garkana waxoogaa yar gudaha gali, dhafoorkana waxoogaa banaanka u soo bixi, si looga hortago in dhafoorka la isku soo kaduuduyo, si qof meel dhar wax ka fiirinaaya.

15- Calaacasha gacanta bidix kor u jeedi, tan midigna gadaasheeda calaacasha bidix saar. Bacdina labada suul foodooda isa saar. Ama suulka midig ku qabo calaacasha gacanta bidix, kolay aniga tan hore aa ila yaab badan sababtana waxaa waaye waa ku xasilinaysaa.

Ogaysiid
Ilaa bishaan ay ka dhamaanayso af-Soomaaliga waa ka yaraanaa Ingiriisiga. Marka no dulqaata. Bishaan dhammaadkeeda ka dibna, Soomaaliga aa ka badanaanaaya Ingiriisiga.

Reflections on Key Meditation Text, Part 4.

I am able to determine what goes on my head and by implication what I do, when I am not breathing. Great artists, the author notes, do their best work, when they stop breathing. I have realized that I cannot stop a succession of pre-occupations with things that I don't wish to think about or do them, so long as my breathing is not stopped.

Only one thought is able to assume the mental stoplight at any given point in time. The author mentions this, but let us assume it for now. If so, there has to be a succession of thoughts that impress you as if they are too many of them occupying the mind at any given point in time.

The point of meditation, if there is any, is to have no thought or thoughts, so that the mind gets blank. No one is occupying it. The mind is empty. It has no residence. Since zero is emptiness, then zero, you might say, is occupying it. I am, or you are, at point zero. It is sort of things that make you curious. It is like saying I was about kilometer or mile zero.

One may therefore, in this state, choose who will take residence in his or her empty house, doing so places pressure on the head.

During your career in meditative practices, you may note no thought means no pressure, that is to say absence of the chattering box or the occasional burst of thought that occupies the head and quickly departs, is an absence of pressure, or force per unit area.

When such thought or pressure is present, the author says, the tendency is to discharge such pressure by saying it so.

Self-help literature, most notably, that of Steven Covey, notes the existence of choice between stimulation, the existence of pressure to so say or even do, and response, to actually say something.

Exercising your right to choose what to say and do on moment to moment basis is what it is all about.

I a firmly believe that I can acquire the ends that I desire when I am able to choose. It is very exciting thing to know you are able to choose who you want to be and be so.

An ancient adage links thought and action, when repeated, that is, to fate. If so, by choosing again and again what to think about and do, or feel for that matter, one chooses his or her fate. That is what is exciting about choice, you choose your fate. People generally feel happy when they are able to choose and do what they chose, on constant basis. This gives them confidence, very attractive quality.

Tuesday, February 19, 2013

Qaybtii Labaad ee Muraaqabada ama Korjoogtada

9- Fuul barshin buuran oon gaarayn cajaraha ama bowdyada,laakiin hoostaala simaha. Waa lama huraan in barshinta ay buurantahay, si bacdi aad si fiican ugu fariisatid. Lugahaaga bacdi gadaal u laab sida adigoo attixyaat u fadhiya, laakiin labada lugood dhinacooda kore waa inay dhulka ku masaxanyihiin.
10- Bacdina qaybta kore ee simaha kor u jeedi, arintaan waxay ku sahlaysaa inaad dhexda aad horay u riixdid, si caloosha horay ugu soo foorto. Dadka odorosa fadhiwanaaagga arintaan amin farobadan ay kutalinaayeen in la naawilo. Waxay leedahay macaash aan la soo koobi karin oo dhinacyo badan ah xittaa haddaad awoodid, marka meelahaas aad iska fadhidid, sidaas. Bacdi, waa daalaysaa cabbaar ka dib, waadna taqaan waxa laga falo, socod ama jimicsi waxoogaa yar iwm.
11- Waxaa kaloo dhacaysa in culayska jirka markaan ku soodago qaybta hoose ee caloosha. Meeshaan waxaa la dhahaa waa xarunta jirka.Dadka karatayga ciyaara ama ciyaaraha kale oo la midka ah, waxay dhahaan meeshaan qofka mar kuu dego, waa markuu in badan diiradda saaree, waa xasilaa. Runtiina waa wax adigaba aad arki kartid haddaad tijaabisid. Inta badna marka xabadka meelo kale la iga qabto, sida madaxa, waxaan diiradda saaraa meel labo ilaa saddex suul ka hoosaysa xudunta; bacdina xanuunada jira iyo cadaadisyada waa iska khafiifaan, si guurguurasho ah, ama waa iska tagaan. Waa sir wayn.

12- Haddaad cabbaar meeshaas xoogga saartid, waxaa lagayaabaa inaad ka dareentid budbud, sida calooshaada inay karkarayso. Halkaas waxaad ka arkaysaa awoodda ay leedahay diiradaada. Marka markaad fadhidid ama marar kale diiradda meeshaas iska saar, si ay kuugu noqoto hoyi ama guri. Salaamaat.



Meeshaan hoose buugga ka gado.

 

Monday, February 18, 2013

Reflections on Key Meditation Text, Part III

18- If I am fully rested, then I sit in straddling position to meditate. I can usually do this for an hour or two. After that I have to take a different posture, usually modified Burmese style, to relieve myself from a general discomfort that arises from a prolonged sitting in a particular fashion, even though this can be mitigated, in part, by paced walking sandwiched between 45 minutes sessions. Still, I note, the change of the posture brings relief from growing discomfort.

19-Even though I cannot recall exactly how I used to sit when I used to sit for meditations, I remember not having a particular method of sitting. It is probable that I used to sit in hanka fuza fashion. If so, it explains why I developed a shoulder pain after I become a regular meditator, even though I didn't had such problem before. It may have some other causes, but for now I implicate my shoulder pain on hanka fuza.

20- Since I neither desire to sit nor wish to recommend, I shall not detail how it is done? Kekka fusa, unlike hanka fuza, is not associated with unfavorable outcomes, but I found it difficult to master it, as others did. I can now do it for about 10 minutes or so. I shall continue to practice it until I am able to do it for as long as it can be done without undue difficulties. The author says good things about kekka fuza, such as being balanced posture and so on. I was not able, however, to push the waist forward, appreciably, as I sit for kekka fuza, so as to protrude the belly, thereby letting the weight of the body rest on the lower belly, and by implication enjoy most stable posture and quietest mental attitude. I assume, in the mean time, based on my limited experience of kekka fuza, the posture is completely balanced and the modest belly protrusion for now suffices, I presume.

21-To sit in kekka fuza fashion, I place my left foot on the right thigh and then I place my right foot on the left thigh. The reverse position may also be assumed.

Saturday, February 16, 2013

Part II of the Reflection on Key Meditation Text

10- When I move the waist forward, it forms an incline, inclining from the protruding belly and gradually declining to the chest,inclining again around the chin and then inclining or declining depending on my head position.I generally move the shoulders forward reducing the incline thereby positioning the front of the body in somewhat vertical form, when viewed from the front. This is what the author recommends: keep the body perfectly upright as far as possible when viewed from the front.

11- My head, I noted, if left alone during meditation, tends to place itself in an upright position, sometimes inclining to to the left side sometimes to the right side, but never turning itself a little bit downward towards the throat, nor turning itself upward towards the nape, but settling as stated somewhere in between. There is also, I noted, a general tendency not to remain motionless but to move again and again especially when exciting or stressing thought arises.

12- I generally turn down the face a little bit and hold it there motionless, as the author recommends; this helps me still the body and by implication the mind; Of course, I do other things like breathing and stressing the lower abdomen to realize the stated aim.

13- I also draw the chin a little bit inward, as the author recommends, but I have not noticed much of a difference in doing so.

14- I also stick out he forehead. This helps me counter a general tendency of mine: contracting the forehead as if I am shortsighted person attempting to see things from a distance. I appear to be shortsighted, from eyesight or clinical point view, hence my farsighted eye glasses.

15- The author recommends we extend these postures, waist forward and upright body position as far as possible, for instance, into our daily lives, so that they become the way we sit or, generally, we carry ourselves around. This is a great recommendation judging from my first hand experience in sitting on a chair implementing as far as possible the recommend postures.Generally speaking when I sit as recommended, I feel strong desire to move after a while and then I move. After movement, I re-start sitting again and so on. In the previous times before I knew how to sit as recommended, I used to feel shoulder pain and other displeasures, which I did not know how to react to them.

16- Hand Positioning ; I generally, place the right hand under the left hand, sometimes I reverse this. I then let the thumbs touch each other at their tips, forming some sort of a whole. This is my favorite hand positioning now. There was a time when I had another favorite hand positioning. I was still placing the right hand under the left hand, even though I had, sometimes, experimented with the reverse, -and it turned out to be great. Now, instead of letting the thumbs touch each other at their tips, I let the right hand thumb touch the palm of the left hand.

17- There is also another method of hand positioning mentioned in the book. I have tried it but did not find it as enticing as other methods stated above. As hinted above, the hand positioning in meditation where thumbs touch, creates a certain feel of stability, hence my preference for it.

See the link below to get the text:
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Saturday, February 9, 2013

Reflections on Key Meditation Text


1- I sit on about 3 square feet blanket, while facing a big mirror or a wall. You may experiment recommended postures to see which one suits you the best as long as you can sit 20-30 minutes in stable fashion, without movements and discomfort. If you cannot sit on the floor, you may sit on a chair, adopting the essential features of the relevant posture. I also place thick cushion under the buttocks and ensure it does not reach the thighs. This placement helps me sit well. It also helps to wear loose clothes that do not tighten any part of the body.I use the mirror, to go back to it, to correct my posture. When I visit meditation centers, I notice the Zafu, cushion, and Zabuton, the blanket-like thing that the cushion sits on, enhances my chances of sitting well, as well.

2- One can get them around $70, if one desires them. I intend to do so sometime in the nearer future. In the mean time, I shall use an ordinary cushion and blanket. They are not necessarily designed for prolonged period of sitting, but they will suffice for now.

3- I either sit in straddling position or in the modified Burmese style. I generally start with the former and end up with latter, usually after 45 minutes or so. I sandwich walking or running between them, depending on my inclination and opportunities available a the time. Doing so, in any case, helps me stabilize.

4- I straddle the cushion just as a person straddles a horse and then I fold my feet backward, not letting the feet sit on the cushion sideways, but placing their upper side on the cushion. Afterwards, I push the waist forward, as the author recommends it, thereby bulging the stomach forward. To do this more effectively, I tilt the pelvis a little bit forward and then push the waist forward. If I do this, then the belly will protrude forward. The spinal column, viewed from a side, in this scenario, is not straight, but curved.
5- Doing so had allowed me to solve one of my biggest challenges: I have habituated stressing my shoulders when I deal with challenging situations and by implication, I have subjected myself to some degree of physical and mental instabilities.

6- The author identifies a causal mechanism through which stress placed on the upper part of the body leads to mental and physical instabilities: disturbance of the balance of the internal organs located on the upper part of the body. Pushing the waist forward shifts the stress from the upper part of the body and places it on lower part of the body, especially the lower abdomen, where stress contributes to physical and mental stabilities.

7- I also ensure the buttocks and the knees form a triangle that holds the weight of the body, as recommended by the author.

8- My mind,I noted, after meditation session, in which among other things, I placed stress on lower part of the abdomen, becomes quiet and slow, and by implication gains a capacity to labor slowly but surely.

9- This generally allows me to maintain stable posture and very quite mental state, provided I still, that is I make no movements, and breathe as recommended.

See the link below to get the text:


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